My project is concerned with how Rhys uses place and the topography of her streets and rooms to address and reflect the interior feeling and state of mind of her protagonists. When Stephan is arrested suddenly, the landscape of Paris reflects Marya’s lost and uncertain status. The city streets appear labyrinthine, the mist, rain and reflections of light and dark, play into her sense of finding herself alone in the city, unsure of where to turn. The city streets become a place where it might be possible to vanish without a trace, to fade into the background along with the invisible and unknown. This accords with the status of refugees as invisible, often falling outside historical accounts of nation-states, and the stateless as undocumented, anonymous and absent from history.
‘All this passport business is only because it’s wartime,’ I said. ‘They’ll stop it as soon as the war’s over.’ He smiled a little and said, ‘Perhaps, perhaps.’