The book is semi-autobiographical, and recreates aspects of Colette's life on the stage. I am fascinated by her portrayal of the music hall, and the people she met there, and her bringing to life of the streets and locale of Montmartre and Paris. Mostly for her use of language, her words like a gift, with their warmth, grace, ease and clarity. With its poetic, vivid and direct style of writing, this is a voice which feels alive and never dated. Intoxicated, I am under its spell.
From her balcony in the Hotel de l’Univers, Marya’s view is elevated. She can look over the rooftops and down to the Place Blanche and beyond, across the rooftops of the city. She can watch the lights coming out and the movement of the streets below. The hill of Montmartre provides a vantage point. This perspective reflects the sense of Montmartre as distinct, set apart from Paris, its history and status.
This is the first of Rhys's Paris hotels and I have chosen my location well. I am staying on Rue Constance, on the next street along from Rue Cauchois; both streets are just off Rue Lepic. The streets join together and I can walk around the corner into Rue Cauchois.The hotel of the universe is inhabited by people of many different nationalities, reflecting the area's status as a place of arrival. It was a part of the city Rhys explored when she first lived in Paris, and she is able to draw on this area in writing Quartet.