How long is this state of twilight, this in-between time when day begins to be covered over, when light remains, and is finally lost? Sometimes it is hard to say. It slips past as I am trying to catch the moment. I have walked across the river in the dwindling shadows of afternoon, slipping by unnoticed like the fading light, until suddenly I look around and it is darker still, changing the look of the streets like a spell cast, concealing the way I have come.
Author: Anna Evans
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Apparition
I was looking for a hotel that was no longer there or that never existed. I found myself lost in dreams of the hotel room that still waited, at the top of the stairway, at the end of the passage. Imagining its interior, the window overlooking a courtyard. And shadows fell as I was looking.
Seven Stories of Bridges
I wake early just before dawn, and the first thing I do is to open the curtains. To be with the river again. It is deserted outside and still dark. The bridges with their arches and supports in solid lines against the sky, illuminated, guarding the night. It is cold so I open the curtains wide and climb back under the covers. I want to sit and watch the sun rise and describe the scene outside, to try and get closer to the bridges in words, in pencil lines. I am trying to tether myself to the concrete reality of these bridges, hoping to map their crossings.
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Perimeter Lines
The loss of light seems to speed up at this time, or to happen imperceptibly, so that suddenly the evening feels shrouded in it: the mystery at the heart of every cycle of time. The folding of darkness, covering and concealing, like the tracks I follow, onwards into lost time, caught in their own circle ... And now I sense how the city crosses into the tracks, and the tracks blend into the city.
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Sleeping Lions
I sit there making plans. A train ride to the city by the coast, I spend a few hours sitting by the docks and watching boats come and go. I can’t shake this stillness, this silence. I am apart, and everything is happening around me. I buy a ticket for a boat, the overnight crossing.
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The Signalman’s House
It was possible to walk to the end of the viaduct, in dense woodland, at the bottom end of the park near where she grew up. Along the road that skirted the edges of the park, she would crane to see passing glimpses from the window as the car passed by. Just before the steep descent into the valley, when her mind was on other things. Her memory began to fail her as to its exact location. More and more it seemed less likely to be how she remembered.
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Tunnels
It can seem bewildering, the sudden onset of night. Alone amongst strangers. In the city with the windows open and the dark falling over us, we can see our lives reflected across to other windows, as images. Lit up in windows we turn off the lights, to be visible shadows only.
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Nina’s Waltz
It is many years later that she writes it down. The simplicity of the notes, tapped out on the piano, bring back the music of Nina’s waltz until she is standing there, fragile yet strong and graceful. Lit up against the dark exterior of the tent, with the mechanism of the trapeze behind.
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Moon Rock
The ideas form slowly, one glimpse at a time. I become attuned to the contrasts. I am entranced by the light and the colours of the landscape. Although it speaks of what is absent, it is never still, always changing. The changes are slow, immeasurably slow and yet the scene around me alters with every hour, every moment, every fall of the light.Â
New writing published by Echtrai Journal
I begin following railway lines because I have been thinking about the disused railway track that ran through the deepest edges of the park in the town where I grew up. Steep banks obscured by trees. The entrance to the park, and the dark green railings running alongside the road, that create a feeling of motion, of dreaming.
The Street Walks In 